Mine is Yours: Favorite Typefaces of 2011 in Use

I  just read an article on typographica.org about their selection of favorite new typefaces of 2011. Two of the typefaces featured are homegrown so I thought about adding some type-in-use info about them.

Carter Sans was first publicly used by Pentagram for their design of the annual Art Directors Club New York invitation card – and this fact alone speaks volumes about the quality of the design.

Carter-Sans-ADC-Gala-Invite

Carter Sans ADC Gala Invite

Last year Linotype sponsored the Frankfurt ADC exhibition and it was only natural for us to choose Carter Sans for our posters. PS: I rescued them and now they are part of my attempts to make my office a bit more colorful and fun.

Carter-Sans-Poster

Carter Sans Poster

Slanted, a German typography magazine, also seem to like Carter Sans a lot…

Carter-Sans-Slanted

Carter Sans Slanted Mag

Colin M. Ford says about Carter Sans:

With Carter Sans, Matthew Carter and Dan Reynolds have struck gold in an infrequently mined area of type design. What they created is a rock-solid set of four weights with lots of unique character.

Next up in “Favorite typefaces of 2011 in use” will be Neue Haas Grotesk.

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A lively, very legible text font:
the Mantika Sans from Jürgen Weltin

Today I would like to make another font recommendation: Mantika Sans from the German designer Jürgen Weltin has everything that makes for a good text font. It has clear contours and therefore is also very clearly legible in small sizes, as for example for the Office suite or for business reports.
Another remarkable feature is the italic style, to which Jürgen Weltin has devoted particular attention and to which he has given a very dramatic design. The styling of the Mantika Sans is based on older designs for an Antiqua, which gives the members of the family a special flavour.
Mantika Sans features a good range of symbols and languages and is universally applicable. It was highly commended in the “Greek text font” category of the “3rd International Eastern Type Design Competition Granshan 2010”.
Conclusion: This family of fonts stands out from many traditional text fonts because of its dynamic, individual character and it offers many design opportunities.

A detailed article showing many font examples is available on Linotype.com

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Type on Screen – Choosing and using it well, by Dan Rhatigan

Happy new year to all of you! To kick-off the new year, I want to share a video with you, which I just find excellent. My English colleague Dan Rhatigan gave this presentation at Future of Web Design 2011 in New York about “Type on Screen – Choosing and using it well”. Enjoy!

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